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Sunday, January 22–Panel Members:

  • Phil Sexton–Moderator of Panel; Publisher, Writer’s Digest
  • Karen Cooper–Publisher, Adams Media
  • Michelle Howry–Senior Editor, Touchstone (an impring of Simon & Schuster)
  • Donya Dickerson–Senior Editor, McGraw Hill

A. What is the most common mistake writers make in nonfiction proposals?

  • Too much emphasis on the manuscript.
  • Not enough evidence of need. Why does this book need to be in the marketplace?
  • Not enough emphasis on the author platform.
  • Not enough competitive analysis. Need to do research: a) Where will this book go on the shelf in Barnes & Noble? b) How does this book contrast with competitive titles? c) What does this book provide that no other book does? Check publicity volume of competition and occupied shelf space in bookstores. Also check Book of the Month Club offerings and other visible signs of a book’s sales/popularity.
  • Writer is not realistic about competition for books by a “new author.” In proposal/query, presents him/herself as “the next ___________ (fill in the blank with a famous author’s name).” This approach brands the writer as inexperienced and unrealistic. Instead, the writer should answer: a) Here’s how my book fits into the market, and b) Here’s how my book differs …”

The approximate length of a nonfiction book proposal should be thirty pages, not including any sample chapters.

Include suggestions about where book could be sold outside of the trade (ex., Walmart, Costco …) Research should include publishers and where they sell.

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B. How important is the author’s writing in nonfiction?

  • Depends on the imprint, the book idea, and how hungry the editor is for an acquisition.
  • Authors should not have someone else write the proposal. Both the manuscript and the proposal need to have the same style. Editors can tell if they’ve been written by different people.
  • Editors/publishers vary regarding how important the writing is. If the concept is great, the quality of writing is not as important. Writing can always be beefed up through input from agents, editorial staff, or even ghost writers contracted through publishers.
  • The author’s platform plays a role in how important the writing is. The more the author already has in place to help sell the book, the less important the actual writing becomes.
  • Editors differ with respect to the weight applied to a) good writing, b) promotion, and c) platform.

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C. How has the view of self-publishing changed?

  • All three editors said they would enthusiastically look at proposals that included self-published books.
  • Writers should keep in mind that, if an author is doing well with self-published book saes, then there is a strong case to be made for not going with a traditional publisher.
  • However, publishers can offer access to additional distribution channels, unique book promotions, etc.

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D. What is the most compelling proposal you ever received, and why?

  • Wreck This Journal. Original proposal was a mock-up that was intended to be torn apart (as is the final product). Sometimes editors have to do a hard-sell job with odd ideas like this one, when channels like Barnes & Noble and Amazon have decided to passed on a project.
  • The Starbuck’s Experience. Author had gained full access to Starbuck’s operations. (The publisher was instrumental in changing the title from the original.)
  • The Unofficial Harry Potter Cookbook. Author had secured permission from J.K. Rowling to use the Harry Potter name.
  • Retail Hell. The proposal came in as a self-help book. The publisher reworked it into a memoir.

Editors and publishers want authors who are cooperative and willing to listen, who respond positively to input, and who want to work in a partnership to produce the best quality book possible.

–Cheri’s Note: I’m now studying up on how to write a nonfiction book proposal. I will keep you posted on what I’m learning and how the process unfolds once I actually begin writing the document.–

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(Cheri’s Note: Not only is Barry Eisler a successful author  of an impressive stream of thrillers (traditionally published), but he also made publishing history in Maarch 2011 by turning down a $500,000 two-book deal with St.Martin’s Press in order, instead, to published his next novel electronically. That next novel, Detachment, was released in the fall of 2011, and you can read all about the story at:  http://www.npr.org/2011/10/07/141116856/barry-eislers-detachment-from-legacy-publishing. Hearing him speak at the conference was a huge treat!)

Day #2, Keynote Address: The New World of Publishing, and What It Means for You–Barry Eisler (www.barryeisler.com— Eisler directed us to his Web site’s section “For Writers” and then to a sub-section “Resources for Indie Writers.” I checked this out, and the information is both useful, easy to reference, and comprehensive. Anyone considering launching out in the DIY direction would benefit greatly by visiting this site. Thanks, Barry!)

Despite all of the changes taking place daily in the publishing industry, one thing has not changed. Readers still love to read and are willing to spend some amount of money to get their hands on good books.

Writers are their own CEOs. And being your own boss carries with it the responsibility of writing the best book possible (and the best edited).

Even when they’ve written the best book possible, writers need to understand the realities of the publishing world in 2012.

  • Even with a great book, making any measurable amount of money with the endeavor is not a good bet.
  • 93% of all published books (and this includes cookbooks, self-help, history, politics–everything) sell less than 1000 copies over the life of the book!
  • The average book only sells 83 copies over the life of the book.

The most important thing to Eisler is getting his books into the hands of readers as expeditiously as possible. (Traditional publishing can add years to this process, especially if the writer is new/unknown.) So, what has changed in the publishing world due to the onset (or onslaught) of digital publishing?

  • Paper books require a distribution partner, and that role has traditionally been filled by traditional publishers, which is one reason why publishers’ contracts with authors typically specify an 85% take of the book sales for the publisher.
  • Digital books, however, do not require a distribution partner. Consequently, Indie writers are now on a level plaing field with huge publishers.
  • Amazon was the first company to offer authors a direct-to-consumer marketing plan.
  • Writers now have choices regarding how they get their work into the hands of readers.
  • This, according to Eisler, makes authors the number one players in the new world of publishing.

(Eisler’s remarks were relatively brief. You can find a ton of extremely useful information “For Writers” on his Web site: www.barryeisler.com. )

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Day #2, Session 3: Seven Secrets of Successful Self-Published Authors–Keith Ogorek, Sr. VP of Global Marketing with Author Solutions. (Full disclosure: Author Solutions is the parent company of iUniverse, Inc., which has been my publishing choice for both of my novels. They helped me create beautiful products, by the way–and my second novel, Separation of Faith, is winning accolades for both the editorial quality and the production quality/cover design. Although I had a lot of input on the book’s appearance both inside and out, the iUniverse staff deserves most of the credit for those elements. And I learned a huge amount from them during the process, which will be of enormous help if I move forward with my own e-book.)

  1. Know the Target Audience. Picture the target audience–gender, age, interests, and where they go for information.
  2. Believe in Your Work. The main goal of publishing a book is to impact people in some manner through your writing. Know your strengths, and promote them.
  3. Set Deadlines for Yourself. Deadlines are important from the time the first inspiration for your book arrives in your head. One of the most important is the date you want to hold the first copy of your book in your hands. Then work backwards to set interim deadlines, coordinating with your publisher (traditional or promoted self-publishing) or with any organization helping you to make sure you understand all of the steps involved with the publishing process. Then set promotional deadlines after the book is released, marketing wherever possible at birthday or holiday parties, speaking engagements, etc. (For both of my novels, I set up a table any place I could get permission–restaurants, libraries, local fairs/festivals. You won’t believe how easy it is to find people willing to give you a little space to sell your work. But you have to be “out there” asking for the permission!)
  4. Create Timelines to Meet Your Deadline(s). Work with someone who’s familiar with the publishing process as you establish milestones. Understand all of the steps involved. Completing the manuscript is first and foremost, if you’re writing a novel. Lots of new writers tend to forget that the book should be finished before you begin any of the next steps. (Nonfiction can vary with respect to whether or not the manuscript needs to be finished first. Some agents/editors focus on the writing while others focus on the book idea and proposal. Obviously, if you’re going the DIY route, the manuscript needs to be finished before you start worrying about anything else.) Once the book is finished, then proceed with editiing, submission (whether you’re pursuing a traditional path or one of self-publishing), design (interior and front/back cover), revisions, printing. Understand the list of tasks within each of these steps and make sure every task is plotted on your timeline.
  5. Understand Your Goals & Options. There are basically three options for getting your work into print: a) traditional publishing, b) DIY self-publishing, and c) supported self-publishing. (iUniverse, Inc. is an example of a supported self-publishing organization.) Key differences: a) who own the content, b) investment of time & money, and c) speed to market. (Traditional publishing can take as long as three or more years to get your book into the hands of readers–and that’s after you’ve secured an agent! Once the agent finds an interested editor who then successfully sells your book up the food chain in his/her publishing house, time to market can still be as much as two or more years.) Which option is for you? That depends on your talents, level of commitment, and patience. Also, keep in mind that self-publishing a book to get started and begin putting your work in readers’ hands does not eliminate the traditional publishing option down the road, especially if you’re able to demonstrate success with your marketing. More and more agents are looking at self-published books to validate an author’s work. Social media helps develop a following/establish your position as an expert. Understanding your target audience is key. A blog should be your social media centerpiece. To enhance your blog, interview other bloggers for posts, or bring others into your blog as guest bloggers. Facebook and Twitter are critical as well. Use all social media to provide real-time updates on events and news related to you and your book(s). Use tags effectively.
  6. Put together a Marketing Plan before Publication. Include a video about the book. (Video book trailers have become common and important. YouTube has plenty of examples with a simple “video book trailer” serach. Another interesting idea (especially if you’re doing any form of self-publishing that affords you control over the book’s cover) is to use your blog/Web site to sponsor a contest where your followers vote on book cover ideas. Offer three options. Otherwise, your marketing plan should begin promoting your book before you actually have a book to sell. If possible, give readers the opportunity to pre-order. Once the book is released, schedule yourself into every venue that will give you time and space. Send press releases to all local media. Remember that readers will not buy your book if they don’t know the book is there. (Cheri’s Note: Here are a couple of links that might be useful. Free & Low Cost Book Marketing Links: http://www.thewriterssite.com/direct_pages/marketing.html.  Book Marketing with Free Giveaways: http://www.bookbuzzr.com/blog/book-marketing/how-to-market-your-book-with-free-giveaways/. BookDaily free promotion: http://www.bookdaily.com/lndpg/lndpgv1. Even if you’ve already been promoting a book for awhile, these links might give you a fresh shot of inspiration [if you haven’t found them yourself].)
  7. Plan a Book Launch Event to Celebrate the Publication. This can be a great motivational occasion (something I can attest to, from my own experience). To save money, combine your book launch party with things like family reunions, speaking engagements, church events, etc. (Cheri’s Note: Whether you hold the party at a reunion or as a separate occasion in a hotel meeting room, just have a book launch party somewhere! I’ve known self-published writers who opted not to have any sort of launch event, and most of them struggled to get the book off the ground. You need to build a “buzz” about your book, and nothing does that better than your being there in person with a crowd of folks to celebrate the launch of the work you’ve labored for years to create!)
  8. Before Deciding on a Self-Published Option, Ask Yourself These Questions: 1) Is there a book out there just like mine? 2) Is there an audience for a book like mine? 3) Can I sell this book on my own? 4) How will I garner publicity for my book? 5) Can I create professional packaging on my own? 6) What good does it do to die with a manuscript in my drawer? 7) How many people would you say you have to impact with yor writing before you would say that publishing was worth the effort?

For more information on this subject and presentation, and on the presenter’s input from the conference, go to: www.indiebookwriters.com.

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First let me tell you that I’m writing this post on my iPad, one of my least favorite things to do on this otherwise magical box. But when I returned home at eight o’clock tonight from this first marathon chemo day, there wasn’t any Internet connectivity in my apartment. My wireless connection is working fine, but I can’t get online. Too tired to try further diagnostics, especially after experiencing connections problems today at Sloan-Kettering in the “Chemotherapy Suite,” I decided to use the iPad.

The reasons I don’t like to do blog posts on my iPad begin with the popup keyboard, which is not designed for any sort of power typing. And I’m sure I’m not the only one who learned touch typing in school and who now feels a bit grumpy at being forced to use two fingers on the iPad keyboard. But this isn’t the only problem for me with respect to my blog posts. I like to put phrases in Bold to help blog readers skim the key elements of the post, and I also like to use Italics for emphasis. I’m sure there’s some way to do those things with the iPad, but I don’t know how yet because I assiduously avoid using the iPad for blogging–except on days like today when I promised a post and have no other equipment choice. (Thank goodness for 3G!)

At any rate … Today was long but incredibly uneventful. And given the history of the past seventeen months, “uneventful” was a happy surprise. My daughter and I arrived at Sloan-Kettering a little before eleven o’clock this morning (Thursday the 13th), and she brought me home at 8:00 tonight. The first three hours involved a mixture of tasks–vital signs, a lengthy consultation with my oncologist, then the IV insertion, which took place after Melissa and I had been led into my “private room,” an upscale and well-appointed version of a room in an ER.

The first thing that was delivered through the IV was a 15-minute infusion of Benadryl. This was on top of the five steroid pills I had to take on Wednesday night and the other five I took at 11:15 this morning. This is all designed to avoid, as much as possible, any chance of an allergic reaction to the chemo drugs.

The next infusion was a 45-minute bag of an anti-nausea drug, which was on top of the anti-nausea pill I took at 9:30 this morning. The purpose for all of that is self-explanatory and also deeply appreciated!

Bags of saline were periodically dripping through a separate tube throughout this whole preparatory process.

Once the preliminary infusions were complete, the first chemo drug (called carboplatin) was started. This is the drug that attacks and obliterates the DNA in any lingering cancer cells, and the infusion is very slow, over almost four hours. For the first hour of that drip, I was still a bit stupid and slurry from the Benadryl. But as those effects wore off, I was able to enjoy the lunch that Melissa and I ordered for delivery. We didn’t eat until almost four o’clock, and now we know that, in the future, we need to order when we first get into the chemo suite. (Novelists learn lessons similar to this as well when they do things like introduce a new character well into the story, only to realize that the rest of the entire book–and possibly some of the earlier chapters as well–needs to be reworked or even rewritten to accommodate the new character.)

Finally, about six o’clock, the carboplatin bag was empty. But before I could start the second chemo drug called taxol, which basically destroys the tubular structures within each lingering cancer cell–a structure that facilitates the cells’ uncontrollable, unchecked division and reproduction–I had to take three more steroid pills that guard further against allergic reactions. The taxol renders the cancer cells’ internal structure totally broken, destroyed, and useless–forever. And the infusion is very fast–six times faster than the carboplatin! The entire bag was empty in half an hour.

Then one nurse gave me a bunch of instructions for stuff to do at home, along with filled prescriptions for additional nausea pills. This nausea thing used to be a really big problem for chemo patients, so the medical community has worked incredibly hard to come up with solutions. And, so far, I feel great. But I also know what to do if I feel something unpleasant start up. Well, here’s the surprise lesson for the day: This is not a nausea caused by a flu bug or something, when eating is the last thing you’d want to do. Chemo nausea is caused by drugs. Consequently, eating a small amount of anything is supposed to make you feel better right away. If you don’t, you have pills at hand to help making riding the wave tolerable. This appears to be one of the greatest advances that helps chemo patients sustain their normal quality of life as much as possible during treatment. And, so far, I’m feeling great.

Another nurse then removed my IV (which had been inserted almost painlessly, by the way, by yet a different nurse at the start of the process), and Melissa and I were free to leave, with our five bags full of electronics equipment, reading material, my 26-day Write-A-Thon project, scarves, coats, etc. (Honestly, we looked like we were planning to stay until Sunday!) We walked the five short New York City blocks to the parking garage, and thanks to a small volume of fast-moving traffic, we were across the bridge at my place in New Jersey within half an hour.

Not much work was accomplished, I’m afraid, on my 26-day book project, although I think I remember trying to open the instruction book and operate a yellow push-button highlighter during my several goofy Benadryl hours. But now that I know the drill, I’ll be able to plan more effectively for the time that’s actually available during the five remaining 7+hour chemo stays.

AOver the next three weeks, I will learn how the cycle of the two chemo drugs will work on my body (and mind), and how I’m going to feel at the different stages within the three following the initial infusion. For example, there could be some leg aches and pains during days 4-6. Or there could be nothing. But if there is something, I have pills for that too. Then, in three weeks, I’ll return to Sloan on Thursday, November 3, for the second of six iinfusion marathon days.

By then, most of the unknowns that can be so scary will have be revealed. My current hair will be gon,e and the new variety will be rotated on my head, depending on my mood. Finally, the official start of my 26-Write-A-Thon will be at least three days behind me–and I’d sure better be hard at work.

Once again, the publishing and writing journeys are merging here, and all things imaginable remain possible. Writers and cancer patients must never stop believing in that imagination! We’ve all heard the saying paraphrased here, which invites us to believe that, if we can vividly visualize something happening, we can actually make that something happen. Plenty of hard work is required, though, because dreaming is the easy part.

Ah, but how sweet and magical are those dreams that inspire us, that light the fires beneath our passions, that carry us forward over and over again to publishing success–to cancer survival! And I’m here to report to new cancer patients, who might be a few steps behind me in the process, that I believe you’ll find the first chemo day not to be anywhere near as frightening as you’ve imagined, while you watch as many of those scary unknowns begin to fall away! I’m also here to tell new writers, who are circling around the start of their first books, that once you plant yourselves in a chair, I believe that the words will indeed begin to flow out of you. And different sorts of unknowns will begin to reveal themselves at an ever-increasing level of enjoyment for each of you.

In my next post, I’ll fill you in on one of the writing exercises in my Write-A-Thon’s “training period.” The exercise was obviously designed for writers. But today, as I was hooked up to infusion tubes for almost five hours, I saw how valuable the steps would be for cancer patients as well. So, stay tuned.

Meanwhile, have a wonderful fall weekend!

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No … This Isn’t About Me

Not yet, anyway. 🙂 The author’s name is John Locke (www.DonovanCreed.com). He’s a 60-something baby boomer with big dreams, sort of like me. But there’s a major difference. As of June 21, he has self-published seven novels (Donovan Creed, the detective, is a recurring character), plus two unusual western novels (by his own definition), and now a how-to book titled How I Sold 1 Million eBooks in 5 Months! (http://www.amazon.com/Sold-Million-eBooks-Months-ebook/dp/B0056BMK6K/ref=sr_1_1?ie=UTF8&m=AG56TWVU5XWC2&s=books&qid=1309223049&sr=1-1). And those five months were all in 2011! Here’s the link to this week’s news about his historic accomplishment: http://www.publishersweekly.com/pw/by-topic/industry-news/bookselling/article/47669-john-locke-hits-1-million-on-the-kindle.html

If you’re a struggling writer out there who’s just happened upon this blog, or if you’ve been following this Journey since the blog launched on November 4, 2009, there won’t be any surprise in this news: I purchased Locke’s How I Sold … book for my Kindle within moments of reading two days ago about the man’s success.

Locke does not present himself as a great novelist–a refreshingly realistic perspective, especially since I’ve recently read a couple of best-selling novels, which were published through one of the big six mainstream traditional houses and which I could not believe ever saw the printed light of day. Locke does believe he’s a good writer, though, who’s become a better novelist over time as he’s crafted seven Donovan Creed stories for a relatively small, carefully defined, “niche” audience (the “niche” being a key element of the “system” he presents in How I Sold …). And, even though I don’t think I fit into Locke’s description of that niche, my curiosity was definitely piqued. So, a few minutes ago, I ordered two of his Creed novels–his earliest and his most recent, in order to experience his writing growth. 🙂 After all, the books are only 99 cents on Kindle (another key part of his “system”).

But the most important aspect of discovering Mr. Locke (for me, at least, and I suspect for a whole bunch of you as well) is that, until a few short months ago, he was in virtually the same position that I (and many of you) are in now–where we’re only selling a handful of books, despite back- (and bank-) breaking promotional efforts. He was languishing along with us in the ever-growing quicksand field of self-published authors, taking solace only in his unflagging determination and the encouraging legitimacy conveyed by his readers.

One significant difference between where he was and where I am was that his body of work is much larger than mine, due, as I learned at the end of his How I Sold … book, to his goal of completing a new novel every eight weeks. In one of the messages I wrote to him after finishing his book, I suggested that, whatever method(s) he uses to create a novel every eight weeks might be a great subject for his next how-to book! I already know that I’m taking way too long per book, but I’ve been working with the goal of producing a book each year. The idea of cranking out six per year never even flickered through my head. In fact, I’d be happy with a novel every six months. Would I buy a book by Locke that explained how he creates a new novel every eight weeks? Especially since that book would undoubtedly be priced somewhere between 99 cents and $5? Well … let me think.

At any rate, in less than six months, John Locke went from selling dribbles of his books on Amazon and other sources to being the first self-published author (and only the fifth or sixth author of any kind) to break through the 1 million book level on Kindle. And this wasn’t just by happenstance. He created a plan–a “system”–which he follows faithfully. And then, when his system actually worked consistently, he took a little time (a few weeks, apparently) to write a book that captures that system for the rest of us, in case we’d like to give the concept a try.

And that’s exactly what I’m going to do! I’ll use Locke’s system for the nonfiction work in progress, hopefully due out on eBook by early fall, and then again for my next novel (which I’ve decided will definitely be a sequel to Separation of Faith–http://tinyurl.com/3tljkpc).

“Isn’t that going to be sort of risky?” you might ask.

Au contraire! “What do I have to lose?” is the question circling around me. What would any of us risk losing, compared to where we are now?

Imagine this: thousands of self-published authors–even tens of thousands, perhaps–suddenly experiencing wild success through eBook sales! Sure would be hard to marginalize that statistic or question the validity of authorship when paired with such soaring numbers of happy readers!

I’ll definitely keep you posted on what happens–and please let me know if you give Locke’s ideas a try yourself! From the beginning, I’ve been saying that there’s enough room in this dream for all of us!

Suddenly, the lyrics from an old boomer song by Buffalo Springfiled have begun rolling through my head: “There’s something happening here. What it is ain’t exactly clear.” That song spoke to a whole generation in the 1960s and early 70s about huge and very serious changes taking place in the country. Although clearly on a lighter, much smaller, and far less dangerous scale, I do believe there’s a revolution underway in the publishing world today. And I would like to be on the leading edge. How about you? 🙂

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About nine o’clock west coast time tonight, Elaine and I returned to our hotel from an absolutely amazing day. We secured the perfect booth for Separation of Faith at the festival, right by the stage and in a high traffic area on the way to the crafters. We then ran a bunch of errands–had copies made of flyers, endorsement quotes, etc., went shopping for items to decorate the booth (tablecloths, flowers), visited an independent bookseller in downtown Colville, and experienced at least three of those life-extending fall-down-on-your-face laughing bouts. We also took a lot of pictures, a sampling of which is attached at the end of this post. There wasn’t much to photograph at the festival site yet, but by tomorrow morning at 8:30 when we arrive, there should be a lot more to capture.

After picking up all the copying, we went back up to Kettle Falls (about a five-mile drive from our hotel in Colville) to visit an antique store we’d been passing repeatedly. Next door to the antique store was a market where I found several copies of a local newspaper featuring an article about me and the novel based on a phone interview last month.

We then returned to the hotel, with the intention of walking next door to a great little eatery for a takeout salad that we planned to eat in our rooms with a little bit of wine and closing conversation for the day. But a message was waiting for me at the hotel from the woman in charge of Saturday’s program. She said she needed a headshot of me and asked if we could come up to meet her at T.J.’s Tavern & Grill in Kettle Falls within the hour. (I called my daughter immediately because she’d dabbled with some modeling in her teens, and I knew she’d get a kick out of my needing to report for a headshot! 🙂 )

Upon entering T.J.’s Tavern & Grill, we were met by about ten women who were preparing t-shirts for a festival fun-run tomorrow afternoon associated with the Kettle Falls Grouch. (See the attached pictures of the Kettle Falls sign.
The Grouch is an elected position, decided during the festival.) Several of the women had already read Separation of Faith, and several others said they are planning to get a copy of the novel from me tomorrow at our booth. We thoroughly enjoyed our conversations with each of the women, learning many fascinating things about Kettle Falls, not the least of which involves the incredibly impressive programs in the Kettle Falls elementary school, details that I will incorporate into my posts as we move through this adventure.

T.J. (the owner of the establishment) and his wife Betty were also filled with seemingly endless morsels of information about the town and about the convent as well. We hope to see them again tomorrow night at T.J.’s, after our duties at the festival booth are over for the day.

As we drove around this afternoon, I was struck (as I was when first here in 2004) by the uncluttered and unspoiled beauty of this valley. The clouds changed their formation frequently as rain came and went through the hours, and I commented several times to Elaine that those clouds somehow seem closer to the ground here. A few pictures are included at the end of this post to show you what I mean.

Now I need to turn in, though. I’m all ready for bed and quite tired. But I suspect that I’ll wake up early again in the morning, ready for Day 2 of the adventure and the first day of the festival. Wish I could bottle this feeling so I could take a sip during discouraging writing days that might be ahead. Actually, I guess this blog is one way of doing just that!

Hope you all have a good night. I’ll return sometime tomorrow with a fresh report.

P.S. Also included in photos are a few shots of my new office on my apartment’s enclosed terrace. Pictures were taken the night before I left on this trip, so the light wasn’t great. I’ll take more when I get home.

 

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Merry Christmas and Happy Holidays, everyone! Lots of fun updates coming in the next day or two, with huge progress to report along with a few new lessons learned and shared.

Meanwhile, may all of your Journeys and Dreams be richly blessed on this beautiful day! I’m really looking forward to another year of “let’s see what happens now” as we move forward together.

All the best to each of you.

Cheri Laser

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